Modular Torre Scott Nevlin’s vases turn ceramics into the game

Modular furniture? Yes, please. Modular lighting? We’ll never say no. Modular ceramics? We are all u. Industrial designer based on Brooklyn Scott Nevlin’s new Bag Collection of vases, which includes Torre 1, Torre 2and Torre 3 Vases, converts age craft ceramics into a party, a stacking playground. They are inspired by Cities Skilins like New York and Hong Kong, these ceramic towers are playful, not precious, ready to develop with your mood, flowers or park space.

To bring his vision to life through the screen, Nevlin teamed up Moonhake To create a dynamic, dimensional video (above) that records the spirit of the torrors on the go. Known for their mixing visual witty and technical precision, Moonshake transforms the shape in movement, highlighting modular flexibility of torrors, displaced geometry and endless settlement possibilities.

Torre, which means “tower” in Italian, is appropriate appointed. Each piece of collection is a hand-dropped ceramic module, all carefully measured, trimmed and spraying into a non-profit ceramic studio, PowerHouse ArtsIn Brooklyn. Components call endless configurations that can be changed in Snap-similar Lego For design lovers. The forms themselves are abstract, without a special function, but when connected, they become waterproof, architectural sculptures to hold fresh blooms. With various shapes, glazes and ends to mix and match, Torre is an open call to build something uniquely yours.

The collection is currently available through the Design Gallery House. Whether it was placed high or retained simply, Torre brings a feeling of play daily and raises the intake of indoor intake.

To learn more about Torre Vases Scott NevlinVisit duddhaus.com.

Photo Kindness Scott Nevlin.
Video Moonshake and Scott Nevlin.

As a senior editor that contributed, you Yang is obsessed with revealing ways to live well + with intent through design. He probably shares what is going on Instagram Stories. You can find it and on vitraniang.com.



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