Lee broom explores porcelain duality in the latest lighting launch

Heat, joy and wonder. From descriptive language to physical products, concepts in light remain substantially into a man’s emotional expression with poundings, in its various artefactable forms, enchanting the global audience until today. This year Eurolu – An exhibition of a biennial that explores the evolution of lighting design, presented as part of Mobile hall In Milan, he saw a huge amount of products that pushes the limits of technology, art and crafts. But this would not be a surprise that the most beautiful views showed the genius applications of the weather preached traditions in contemplative ways, a sharp contrast to the surrounding theater.

Freshly of its debut in an international window, Cascade – a new lighting collection designed by fertile British creative Broom for BarkThe artistic porcelain brand – causes traditional ceramic craftsmen, simultaneously exploiting the material sharpness of its manufacturers to perform a modern vision rooted in the celebration ritual.

The hanging circle and the cylinder lines for cylindrical legs are reflected in large mirrors, creating a pattern of recurrence of illuminated shapes.

The earliest broom in the performance scheme came from full immersed trade during the visit to Lladrovo factory in the “city of Porcelain”, a small town outside Valencia, Spain, where it was a crafted man through a gentle process. “In its raw state, porcelain is unpredictable, and the creation of precise geometric forms requires deep knowledge of materials,” Broom shares. “This experience has allowed me to push the boundaries of what was possible to make any challenges and achieving the design that I predicted. The process has definitely expanded my perspective to its perspectives on materials and opportunities with porcelain.”

The group of round and cylindrical yellow lights reflect on mirrors, creating a repeating geometric sample with warm lighting.

Porcelain shows that the latest substance with which broom plays the domestic history of the lantern between conceptual or in terms of opacity and transparency – in this context related to the material skills of many Lladar producers.

The minimalist interior containing a light light for a geometric pendant for a broom, a wooden table with books and cylindrical pillows on the bench placed on the walls and the beige column.

The fully implemented collection contains three main lamps of primary porcelain porcelain pendants: two balls in various scales with a distinct horizontal interruption between the hemisphere; And the tubing element aligned vertically. Made to order, fine black cable reinforced for structures connects customized configurations with great intentions, articulated narrative connectors that are often often applied together. In addition, grouping involves portable variation of tables lamp, improving the total overall versatile and decorative potential series.

Minimalist bedroom with beige bed, a small wooden nightcoat covered with books and a lie broom that round light elegantly hangs above the nightstand.

The theatrical sensibility of the broom sparkle in a cascading duplicity. When you turn off, each globe is represented as opaque, seemingly firm in classic, clean white form. It used to be illuminated, the vessels come to life, reconstituted in a way that defies pre-conceived concepts of Porcelan’s performance. The second hardening act is highly designed, the result of production methods that pair the thin layer of materials with more LED configurations for achieving the desired light.

Modern, spherical light to connect Lee broom hanging from the ceiling against ordinary, light gray background.

One modern light pendant for left broom with a circle, yellow lamps hanging from black cables against ordinary, light gray background.

“For me, the collection gathered when I achieved exactly what I imagined; Porcelain looking crispy and white when he was not addressing in a warm Amber, when he was lit,” he added. “Having in mind, the candle sets fire to the lanterns, evoking an emotional response and bringing that feeling of joy as a lantern in commemorative events.”

Modern light binding light with three complex, white, ribbed spherical shades of hanging from black cables against ordinary light gray background.

Modern pendant light for Lee broom with three stacking, glowing circular sections hangs from black cables against ordinary light background.

Modern light of Lee broomstock with a vertical layout of ribbed cylindrical and spherical white elements, elegantly suspended from the cable to a simple background.

The modern pendant light for Lee broom contains geometric, ribbery yellow and white shades arranged vertically on a black cable against an ordinary gray background.

Two pendants of lights with a vertical, cylindrical, ribged yellow sowing inspired Lee broom hangs from the ceiling according to the regular light gray background.

Three modern lights with a modern broom with cylindrical and spherical yellow shations, suspended from black cables against ordinary light gray background.

Spheric bulb The yellow flying broom is seated on the table in front of the shelf filled with white plaster molds in the workshop.

Industrial Workshop Ceramics with metal carts held by white ceramic molds and facilities, surrounded by machinery and tubes-echoing refined, but industrially aesthetically innovative Lee broom design.

The person stands in the empty industrial chamber, holding a vertical, glistening yellow fluttering broom with circular elements.

Broom

The collection will be available at Lladro.com Since September. To see more visits of designers leebroom.com.

Photo courtesy of Lladrov.

With professional diplomas in architecture and journalism, a writer on the base in New York Joseph has a desire to live beautifully available. His work seeks to enrich the lives of other visual communication and narrative through the design. When you do not write, submit visual communication, theory and design.



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