Lag residence is a wave-sabi inspired by the home in Bangalore

In a city known for its fast difficulty life and urban bar, the serene refuge has accepted not only aesthetic escape, but a lesson in intention in intentional life. Designed by Jesenja StudioThe Only The residence in Bangalore, India, is an apartment of 2100 square meters that elegantly intertwine Japanese philosophies of Vabi-Sabi with modern minimalism, creating a personal and globally inspired by the home.

Made for young money in the technical industry, the residence reflects its time abroad and desire for thoughtful simplicity. “Minimalist space with world influences, infused natural materials,” says Chitan Punjabi, the main designer in the Fall Studio. The journey of the design began with conversations about value and vision, resulting in a home that feels and rooted and research.

“Lagu” – Swedish term that means “enough only” – defines the spirit of residence perfectly. Every element, from spatial planning until the choice of materials, is taken with this principle of balance. The result is a space that does not feel excused or overly decorated – carefully balanced to offer a serenity in the middle of a busy city.

After entering the house, guests welcome the arched input that contains an organic mirror – a trace in what comes to the rest of the apartment. These gentle curves recourse in the whole, mitigating rooms cross and elevate the cultural aesthetics home home.

Minimalist cuisine of wooden strips and marble, as well as brass accents and local stone borrow grounded, regional identity Pooji Alc’s defined by archives.

Central to the house and the “personal space of the dining area” stands out with a built-in concrete bench, detailed detail on wooden chairs for wooden bones and a couriered ning, created by transforming the old window. “The existing window is filled with meltoma for movement to create this composition,” says Punjabi. This smart intervention not only does depth depth not only is a simple wall in conversation.

The primary color palette is earthy and neutral, with warm oak wooden floors under the feet and walls washed by a tin, adding a subtle texture. The furniture was fully selected with fluid forms and tactile ends. The woven joust spreads from the carpet of the kingdom and a custom decor from the minimum Indian anchors emphasis on natural materials and manually developed design details.

Stuten glass partition leads to private areas, maintaining visual flow while it offers a subtle layer of separation. One bedroom is discarded in a combined study and closet, allowing the main sleeping areas to stay open and freaked out.

Basic bedroom, soaked in white tones, maximizes the natural light for a peaceful withdrawal. In contrast, the guest’s bedroom represents the emphasis of wood oak and a flexible media unit that crosses between work and relaxation – match the needs of modern life.

“Each decor was questioned by intent,” the punjabi concludes. “We focused on opposition to tactile sensibilities to intuitive intercents of light and material. To see that this home is reviving as a reflection of their personalities deeply rewarded.”

For more information on the residence of Lagums and the Fall Studio, Visit StudioAutnen.com.

Photography Naan Soni.

Caroline Williamson is the editor-in-chief of design milk. It has BFA in a photo with SCAD and can usually be found searching vintage trenches, working in the transverse words of the New York Times in the pen or processing playlists on Spotify.