Joya Nandurdikar talks about the goddess. Installation, pipe organ + more

Joia Nandurdikar There is a lot in her country to inspire, especially cases and forgotten techniques that are old centuries. It believes that the design is not just a form of expression, but also a means of preserving the culture used in one’s own practice. “There is a huge and varied landscape of materials, skills and stories throughout India, and opportunities feel infinitely,” says Nandurdikar. “Remembering these crafts in a modern environment is not only creatively fulfilled, it is a way to reintroduce and reinterpret the wider audience.”

2001. The Nandurdikar and Amrita Guha found a new company based on Delhi Title designwith an emphasis on responsible luxury. With a custom approach for each project, NanDurdičar encourages the dynamic exchange of its team and craftsmen to create interiors that mix elements of traditional and modern.

Joia Nandurdikar

Partners decided to bring the same ETOS into the product area, so they have launched Vicarism 2022 year, line of furniture. The Duo acts with artists who will offer provisions from marble, wood and stone. Cooperation is in the heart of Nandurdicar’s creative process, and she finds magic in Scribs or laughter shared by a cup of tea.

In these moments, collective energy is that some of the unsurdar’s most unicantated – and meaningful – ideas revived. However, the designer also appreciates the moval of her personal space, where he can ground and hug what she calls “peaceful joy”.

One day Nandurdikar wants to investigate Udrac Lekovo. It is especially interested in dialogue between history and contemporary issues. “It’s a field that turns me on for his potential to expose me with a rich tapestries of thoughts and imaginative minds,” she notes. “The idea of ​​shaping narratives through art and causes emotion or thinking in the viewer, feels amazingly powerful.”

Today Joya Nandurdikar joins us Friday fiveRecording!

1. The art of art

Something deeply was made of how traditional narratives and motives are transmitted through modern sculptural language. This installation is a perfect mixture of modern sculpture and mural art, colored form of craftsmen from Kerala. Materiality is a combination of patinated brass with colored figures.

2 goddesses

Idol Goddess I admire deeply and deeply reflects who I am and what I am capable of. I gave the name of the goddess, I walk in her essence. Her power arouses my soul and forces is behind everything I create. It raises, gilded in fire and gold. It is also a prayer and warcrock, celebration and conquest.

3. On the water

I wish all my evenings could be like the one he spent on the boat, gently clinging through the Holy Water Ganga. Soft riples below me and golden shade of twilight reflecting their food surface my soul and calm down in the ways in which few things can.

4. Cabinet 19. Century

I fell in love with this great piece of furniture during my visit to Rijksmuseum. Excellent creation from 1867. It was flawlessly designed and made for Charles Guillaume Diehl. His intricate detailed, refined proportions and pure elegance captures the essence of the 19th century with timeless aluga.

5. The pipe organ

During my visit to Milan, I discovered a magnificent body of the pipe that immediately aroused the feeling of nostalgia, reminding me of the harmonium I learned once I learned to play and piano my daughter now plays. The organ, with its depth with high and resonant depth, is widely used in classical music from the Renaissance to this day.

It works from Joi Nandurdikar and without a titled design:

PHOTO: Awesh Gaur

Anugra
The floors of the Anugra, a residential project in southern Delhi, are decorated with diligent details of Terrazzo with a composition of stone and brass, in a throw in in-situ. Excellent crafts are marked in these details, where each careful fragment forms a harmonious blend of texture, colors and materials, creating a bold statement that defines spatial narratives.

PHOTO: No Title

Katha Tarana
The main wall of 40 feet in the residence Katha Tarana is revived by the Mural Wooden Mural from Misore with a narrative to the story of Ashwakaha as a favorable symbol, built in traditional regala and resembles a puzzle in a puzzle in a puzzle in a puzzle in a puzzle in a puzzle in a cup. Coffee desks, appointed elementary Alchemy, a work of art, also presented in the center of space, which celebrates the Corusing Curves, in combination with jade, ceramics and Indian sanded stones. Two works of art remindure the puzzles in Jigsaw, join the art-trademark of elements.

Photo: NIVEDITA GUPTA

River
In the heart of the entrance to lobbying Abah, Mesmerizational Water, designed to embody generosity and spiritual abundance. Monumental stone slabs form their base, elegantly decorated with brass and silver Hadau, blessed by Guruja. Each element is intricately written with the world’s fell script, his words that flow with timeless wisdom.

PHOTO: Ashish Sahi

Urban robe
The frame is set as a paradox, which contains Origami light installation by Ancon Mitra and the cool sculpture of Sleeps of System Kerkar. These two installations create a striking contrast and color and emotions – one transitioned the spicy Alur, and the other as light as a pen.

Installation characteristics of Gond art by National Award and award-winning artist Venkat Shiam, presented as part of the cluster craft initiative by the end of the field – a program dedicated to modern traditional crafts. Each piece contributes to the ambient depth and intrigues, inviting research and thinking.

Photo: NIVEDITA GUPTA

Pravaah
Despite limited natural light, Kashmiri Pinjrakari Retvitersvork Transion Brandije Prava, housing project in Novi Delhi, in the ambience of Jewel. The intricate woodenwood filter a limited light, throwing hot glow throughout the room.

Adorning dining rooms is a furgonomy console, made with a striking combination of document and monolithic materials, which represent a sensitive development and transformation process. The tactile quality of the shelf, reminds the intermittent smoke or mild breeze, evokes the feeling of essential, which serves as a functional element, but also as a value statement.

Anna Zappri is a writer and editor based on New York with a passion for textiles, and can often be found on fashion exhibits or purchases for more books. Anna writes five columns Friday, as well as commercial content.