Agra form Tom Fererai for Armadillo

We define ourselves through the contrast, according to what we are and what we are not. Are at the international level during this year 3DaisofDesign, Armadillo proudly explores these kinds with its collection of debut furnitures Agra form. Designed by Sydney-Based Designers Tom FereraiThese furniture are located through opposition seven pieces that explore the crossroads of carpentry and making mats, where wood and fibers combine to create something special.

The wooden chair with brown seats and backleads are placed next to the appropriate wooden chair in a minimalist room with a neutral background.

The collection of capsules attracts an audience interested in not only in intimate relationships between materials, but in the tactile return of both life in harmony. Training and simplicity are present in the subtle curves of the series, which show icons Agra Testing in each iterative form: armchair, chair, table, chair, low chair and two ooves.

Wooden chair and side table with brown textured pillows on the seat, backrests, arms and desk, placed on a neutral background.

Each piece is made of woolen woolen wool and sustainable American red oak in a will for making workmanship, quality and longevity not only products, but also processes that create them. The tactility of causation was clearly most important in the design process.

Close-up of a wooden chair with a light wooden finish, which contains sugar backrest backrests and shipping and smiling padded seat and arm pillows.

Close up angle of wooden pieces of furniture, possibly bench or table, with textured brown pillow or mat at the top.

A minimal wooden bench with rectangular seat and solid legs, which contains a compartment with a woven or textured surface at one end, set to a simple background.

Through rigorous cooperation, Armadillo expands their honest approach and respect for materials in the world of furniture. Rich in Ningua like ginger and whistle creates lovely compositions with oaks, bank textures float on the sea of ​​soft tones of wood. Clever wrought fillets are adorned with specific edges, creating delicate interactions between materials. And natural grain strocients are thrown in relief by light finishing, preferring that the wood let it speak only for himself.

The wooden table and harmonization of the chair with flat lines are placed in the regular room. Two rectangular gray mats are sitting on the table and seats for chairs.

The solid, linear foot creates a visually powerful base for more complex curves like chairs and back seats, which fit properly on simple, safe corners. The inset carpet sits a little above the wood profile, offering a soft edge to rest on the corner expertly did not touch the intersection between the material and fastened between the material.

A wooden chair with a minimalist design, which contains a rectangular backrest and seat, are both designed with gray covers fabric.

The minimal wood chair with a flat gray pillow sits on a smooth, easily colored floor. The part of the corresponding bench is visible in the foreground.

Each choice is ergonomically informed and represents visual characters: horizontal edges are very filletens while vertical remains a clean line, suggesting how to sit. This detail is performed in the entire collection, a subtle function that adds the immediate level of cohesion and balance.

A wooden armchair with a minimalist design, which contains a rectangular frame and flat arms, with brown seat, back and arm pads.

The man stands on a wooden table, looking down on wood and fabric samples, with a measuring tool near the workspace.

Tom Fererai

To learn more about Agra form collection Tom Fererai for Armadillovisit armadillo-co.com.

Photo courtesy of Armadillo.

Growing up in NIC, Aria gave a unique perspective in art + design, constantly strive to urge for immersion immersed. Avid Baker, Crocheter and manufacturer and pastes, handling and personal touch is central in what he likes a built environment. Out of town, enjoys hiking, cycling and learning about space.

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